Analysis of Minuteman Statue in Lexington - Ma @Myassignmenthelp.com

Questions: I. Technical and factual information Ii. Formal analysis sculpture and architecture provide a general description of the object or building in the first paragraphA. (for sculptural object only) type of sculpture: is it low relief; high relief; a free standing figure; a group of figures; a combination of these?B. Material and techinical means: is the sculpture/building crafted out of wood, stone? (for sculpture only, is the object modeled in clay, wax, then cast in bronze?) Has the artist left traces of the tools used in carving of modeling the object on the surface (chisel, fingerprints, etc.)?C. Volumes: what kind of volumetric forms are basic to the sculpture/building? Geometrical ones: conical, cubic, or pyramidal? Irregular ones: jagged, smooth, organic?D. Structure: how are these forms organized? Be specific. What? Where exactly?E. Line: how is line used in the sculpture/building? Does the piece have an open or closed silhouette? Are the dominant linear elements seen in the for ms themselves, or are they incised onto the surfaces of the forms? Is there a conflict between the linear and volumetric elements?F. Space: to what degree does the object/building displace space? Do the forms and space interpenetrate? If it is a relief sculpture, does it create its own illusion of space within it? Is recession into depth or projection into the beholders space suggested? Is the object/building meant to be seen from a particular point of view? Is it frontal? Does it turn in space does it change as you walk around it? How? Can its composition be understood from one viewpoint only? From any viewpoints?G. Color: is color added to the sculpture/building (by means of paint, inlaid gems, etc.) Is the color of the material itself important? Does this color possess a special meaning? Does it have a descriptive or expressive function?H. Light: has the artist considered the effect of light upon his work? Are the forms arranged so that a particular effect of light and shade will be attained?I. Textures: what is the texture of the surface? Is it bumpy? Smooth? Does the artist vary textures to enhanced aspects of the composition? What? Where? Why?J. General observations: are there specific symbolic evocations in the work? What, where, why? Does the sculptural object fit into the environment successfully?If it is a building, how does the environment support or detract from the overallsuccess of the building? Answers: I. Technical and Factual Information: The Lexington Minuteman statue is the symbol of warrior. Minutemen were a group of people who prepared a militia group during the American Revolution. They were trained to use any kind of weapons. In Lexington Minuteman it represents John Parker, a leader of this group. The statue was sculpted by Henry Hudson Kitson and placed in the year of 1900 (Galvin, 1989). Although there is confusion on the sculptor as somebody says Daniel Chester French was the sculptor. The statue is being sophistically preserved which helps in managing the access of the statue. II. Formal Analysis: A. Type of Sculpture: In order to identify the type of the sculpture, Hood (1960) seems to have opined it is a free standing statue which helps in development of the structural ethos. The statue is the perpetual figure of low relief. B. Material and Technical Means: It is made of bronze and has been concretized latter on. The statue portrays John Parker standing erect holding a musket in his hand putting on the leg, slightly advanced. Basically, john Parker was a farmer turned soldier in order to protect the national pride. Rigidity and robustness of the statue is significantly noticeable. C. Volumes: The volume of the statue is quite intense. From the geometrical point of view the statue is cubic in nature having smooth body in its portrayal. Defining the statue having a sufficient volume of sophistication it projects an ethnic look. D. Structure: The stature can be spotted in the southeast corner of Battle Green by facing the route of arrival of British force. In the basement of the statue the stone platter can be seen. Richard (2004) has stated that the statue to $10,853 to be build up. As farmers were becoming warriors in that period to protect the British evasion, the structure was needed to be rigid in its nature. This form of the stature is really intrinsic in the approaches which help in developing a convergence. E. Line: The liner approach is literally sophisticated which engages in open silhouette. It helps in managing the surface of the stature as well. Garry (1999) seems to have stated that there is no difference between the linear and volumetric elements. The surface of the forms is also intrinsic in nature which helps in giving a sculptural potentiality. F. Space: The stature suggests heroism and an ethnic sophistication. The statue is having an in depth and informal approach which targets at ensnaring the viewers attraction in one look (Sherman and Hood, 2012). As one walks around the statue, he or she can feel the thrill by witnessing the outlook of the statue. G. Color: The color of the sculpture is brass orientation. The color has been made of this type because it has an intricate meaning. It expresses that how a soldier battles with so many complexities and difficulties. H. Light: The idea of the artist is to give an intense look for this structure. Under the sun it looks bright and in absence of the sun it looks complete black. I. Texture: Within the stones underneath of the stature, there is a written plaque which reads: The Bequest Of Francis Brown Hayes To The Town Of Lexington Erected 1899 (Staicu, 2010). It is completely smooth in the composition. J. General Observation: The structure is environmentally free and is supported within all the seasons. The structure is intrinsic in the approach. Reference List: Galvin, John R. (1989). The minute men : the first fight : myths realities of the American revolution. Washington : Pergamon-Brassey's International Defense Publisher. ISBN 0-08-036733-X Garry, W. (1999).A Necessary Evil: A History of American Distrust of Government, Page 33. New York, NY; Simon Schuster Hood, N. (1960).The Minute man speaks. Lexington, Mass.: Patriot Sales Co. Richard, K. (2004) Lexington: From Libertys Birthplace to Progressive Suburb. Charleston, SC: Arcadia Publishing. Sherman, J. and Hood, H. (2010).Collection of articles and brochures about the Minuteman statue, Lexington, Mass. Staicu, S. (2010). Dynamics analysis of the Minuteman cover drive.European Journal of Mechanics - A/Solids, 29(1), pp.91-96.